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Procreate Made Easy

Get step-by-step guidance from Disney, Marvel, and DreamWorks artists to master character and environment design!
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4.8
(based on 8,265 reviews)

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1000+
Bite-sized Lessons
55+
Art Classes
34
World-class teachers

Meet your instructors

We handpick the best artists & even better teachers.

Aveline Stokart

DreamWorks Animation Designer + Comic Artist

Aveline Stokart

Aveline is not just an amazing comic book artist designing characters that feel real – she’s also a fantastic teacher. And a very curious one too!

She’s explored everything from drawing to pottery, always looking to try something new and make art that hits you right in the feels.

She currently works as a freelance concept artist/character designer for various clients in the field of publishing, animation, and video games.

Her clients include Simon and Schuster and Skydance Media, HarperCollins Publisher, DreamWorks Animation…

From an early age, she showed a particular interest in drawing—a natural fit, as she is highly curious and observant, but also quite sensitive. She marvels at the beauty held within the simplest of things. 

Fascinated by character design and creating universes, she developed a unique dimension to her creations by studying 3D Animation at the Haute Ecole Albert Jacquard in Belgium, where she graduated in 2011. 

When she’s not drawing, Aveline likes to express herself musically, by singing and playing the guitar, piano and the ukulele.

I am always trying to evolve and discover new things and challenges. My goal is to create beautiful images and atmospheres that release many different emotions.

Learn to manipulate lighting effects with different blend modes in Aveline’s Mastering Lighting & Shading class

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Erika Wiseman

Disney-trained illustrator (Ravensburgerg). Worked for Adobe.

Erika Wiseman

This illustrator’s feed is a burst of joy with her colorful and cute creations. Starting in 2008, she’s carved out a space where creativity meets encouragement, making her an inspiration for budding artists everywhere.

Erika Wiseman (aka Erika the Goober) is a freelance illustrator and character designer who lives in the US. She loves drawing cute, colorful things and experimenting with new drawing techniques.

Erika began teaching herself to draw digitally in 2008. Since then, she has been working with a graphics tablet and Photoshop as well as Procreate to create her digital illustrations.

In 2017, she graduated from the University of Louisville with a Bachelor in Fine Arts (with a dissertation in drawing). She made a name for herself on Instagram, which is the best place to find her art! One of her goals is to help and inspire others along their creative journey to be the best artists they can be.

Inspiration

Much of my inspiration comes from the things I love, the colorful worlds of video games and animated movies.

Tools

I use Photoshop CS6 and a Wacom Intuos Pro. I use an iPad Pro, Apple Pencil, and the Procreate app as well! It really just depends on how I’m feeling that day and if I want to draw at my desk or somewhere else!

Advice

My top 3 tips: Draw every day, draw from life, and study anatomy!

✏️ Create a character from scratch, step by step. Learn more in the beginner course: Digital Drawing in Procreate.

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Feefal (Linnea Kikuchi)

1M+ Instagram followers

Feefal (Linnea Kikuchi)

Dive into Feefal’s world, where cute meets the mysterious. With a palette that ranges from digital to traditional, her art is a favorite among over a million fans. If you’re into charming yet slightly spooky visuals, she’s your artist.

Linnea is a Swedish/Japanese artist with a following of over 1 million on Instagram.

She is known for creating anthropomorphized figures and cute, spooky characters.

Linnea lives in Stockholm with her Sphynx cat called Tofu. Feefal shares her art on a regular basis on Instagram, which she creates through a variety of media, such as Procreate (digital software), graphite, and gouache. She also published an art book, ‘The Art of Feefal’.

Fans know her by her unique, charming style featuring beautiful visuals and cute characters with horror/spooky elements. In her words, ‘I put my artistic soul in a blender’!

Don’t think your work has to be perfect or be afraid of your art being ugly. Art will be ugly sometimes. That’s how you get better!

The best part of creating art for me is definitely the sense of fulfillment I get putting my creative works out into the world. It’s really rewarding to see something you’ve put your soul into getting so many positive responses from people. It’s quite the rush!

Inspiration

I mostly get inspiration from nature, death, space, and occasionally spirituality. Space is probably my main muse. It’s just way too large for any human to quite wrap their head around, and its incomprehensible size makes it so intriguing.

Learn to transfer your hand-drawn sketch to your iPad for color 🎨, in an easy step-by-step process. Learn more in this class.

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1.1m followers

Isabelle Staub

Marvel-collab Portrait Artist

Isabelle Staub

Isabelle Staub artist photo

From viral Disney reimaginings to Marvel collabs, this Philly-based digital artist dazzles with detailed portraits and character designs. With a passion shared through art and teaching, her creations are a must-see.

Isabelle Staub is a US-based freelance artist, specializing in vibrant digital portraits and character design with incredible attention to detail.

Isabelle started creating art at a very young age and went on to receive a BFA in Illustration at Moore College of Art and Design in Philadelphia. The culmination of dedicated work and a burning passion has propelled her to become a recognized artist worldwide.

Her popular series ‘Disney animals transformed into human characters’ went viral on social media, leading to collaborations with companies such as Marvel and MGA Entertainment.

Art has always been a love of mine from before I could remember. I pour my heart, mind, and soul into every piece I create.

Isabelle’s versatility and creative talent allowed her to work with brands such as Dynamite Comics, Wacom, TikTok, Corel Painter, and more. Teaming up with CASETiFY, she created an entire line of gorgeous device cases.

Along with creating original artwork for her clients, she also uses her social media platforms to educate others, passing on her artistic knowledge and expertise. Isabelle currently lives in Philadelphia and has two adorable cats.

What advice would you give to new artists?

Be easy on yourself! Being an artist is a journey, not a destination. Try not to compare yourself to people further along in their journey. You will get there!

Create stunning art with a basic set of Procreate tools. Learn more in Isabelle’s Procreate Made Easy class.

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385k followers

Simone Grünewald

DreamWorks-collab Art Director

Simone Grünewald

Meet “Schmoe,” your go-to artist for illustrations that breathe life into the everyday with charm and wit. Her vibrant creations, filled with humor and the realness of motherhood, are a breath of fresh air, promising a smile and a new perspective with every piece.

Simone Grünewald is a Visual Development artist from Germany who worked in the gaming industry for over 10 years as an art director, character designer, and 2D animator.

In addition to her commercial work, she loves creating emotive, dynamic designs that document her life, including the experiences of motherhood. Having followed the creative path all her life, Simone has a wealth of knowledge in traditional and digital art.

She shares beautiful, entertaining artwork as well as insights and tips with her followers on social media and is known for her humorous characters and everyday themes. Simone is also the author of Draw What You Love and Sketch Every Day.

Find ideas for your drawing by looking at different examples. 🖌️ Discover the steps in Digital Illustration in Procreate.

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606k followers

Maria Lia Malandrino

Disney-collabs Visual Dev. Artist

Maria Lia Malandrino

From video games to storybooks, this Italian artist brings tales to life with her vivid illustrations. Her diverse projects have captured hearts across the globe, showcasing her talent for creating engaging, narrative-driven art.

aria is an illustrator and story artist from Turin, Italy. She has a BA degree in Magazine Publishing from the University of the Arts London, has studied Traditional Animation at the International School of Comics in Turin and attended a masterclass in Storyboarding at the online school CGMA.

In 2018 she started an indie video game studio in Turin and is currently working on the second in-house game ‘Out of The Hat’, an uncanny journey in the mind of a villain.

In the past couple of years Maria has worked in many editorial projects as an illustrator and character designer, for prominent publishing houses and brands such as Oxford University Press, Hachette and Disney. Her illustration work is represented by Illustration Agency Advocate Art.

She also pursues personal illustration and graphic novel projects that you can follow on her blog and Instagram feed.

Inspiration

I draw inspiration from anything I see and read, definitely books, tv series and movies, but also street style, architecture, people in cafes… I think everything that I encounter stays trapped somewhere in my subconscious and is constantly reworked into anything I draw or write.

Favourites

Quote: ‘Take what you want and pay for it’ it’s a quote from my favourite book series ‘Wheel of Time’ – I like the idea that we all can make the choice to live as truly to ourselves as we can, deciding to do so even when we know that there might be consequences we’ll have to pay.

Artists: Alessandro Barbucci, TB Choi, Otto Schmidt, Jin Kim, Patrick Osborne

Movies/Series: Little Miss Sunshine, Laputa, How To Train Your Dragon / Full Metal Alchemist Brotherhood (as a series)

Games: Bioshock Infinite, The Witcher 3, Sunless Sea, any Civilization game

Tools

For illustration and character design I use my iPad Pro and Procreate, although for animation jobs I prefer a Wacom Cintiq 22HD connected to my iMac.

Advice

I feel like there’s no one type of advice that will work 100% for every person.

I approached the world of gaming and illustration quite late, with no formal education and after having studied and worked in very different fields for years. My advice would be that it’s never too late. Paraphrasing Rainer Maria Rilke if, when you wake up in the morning, you can think of nothing but drawing, you should probably make that your primary occupation! It doesn’t matter if you don’t draw in a style that is ‘conventionally’ considered cool or beautiful, if it’s what you need to do to express yourself it’s worth pursuing!

Learn to draw a cartoon character from start to finish in Maria’s class.

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Meike Schneider

Pixar-collabs 3D Artist

Meike Schneider

She’s transforming the 3D art scene with characters that leap off the screen. Drawing inspiration from animated classics, her work in character design and education is lighting up the industry, making her a beacon for aspiring artists.

Meike is a 3D Artist & Illustrator, with a strong focus on characters, based in Cologne, Germany. She is probably best known through Instagram and Tom Bancroft’s ‘MerMay’. Her work includes projects such as Children’s Book Illustration, Character Design, Visual Development, 3D Character & Environment Modeling as well as Look Development. She is currently working as a freelancer for various animation studios and companies as well as teaching as an instructor at the  School of Games in Cologne.

Her work was highly influenced by Walt Disney’s feature classics such as Aladdin and Pocahontas. CG Movies such as Tangled, Frozen or Wreck it Ralph were some of the reasons she was inspired to pursue a career in animation.

After winning the Artist of the Month May 2016 by RebusFarm, her 3D Character, ‘Little Mary’, was published in the 3D World Magazine Issue 211, the worlds best-selling magazine for CG Artists.

Right after finishing school in 2012, she began studying 3D Animation & VFX at the PIXL VISN media arts academy. After graduating with a Diploma in Animation, she became finalist in ‘The Rookie Awards 2014’, which led to a job at Dooblex, a studio for product visualization. While still working full-time, she started taking commissions and slowly building my own brand as an artist.

In mid-2019, Meike quit her job to become a full-time freelancer, working on projects such as children’s book illustrations for ‘Finni & Fredo’ and ‘My Best Book’, artwork for Adobe, visual development and character designs for the upcoming TV show ‘Coral Kins’, as well as character designs for Paris Hilton’s mobile game.

Follow easy steps to color and add details. 🖌️ Discover more in Drawing a Female Character by Meike

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Lauren Barger

Disney & Mattel collabs Animal Cartoonist

Lauren Barger

Lauren Barger profile picture

Lauren transforms pets into digital art in Procreate, enchanting with her ‘Coffeedraws’ and humorous animal cartoons. Her collaborations with Disney and Mattel, paired with co-hosting MerMay, spotlight her as a beacon of creativity and fun in character design.

Lauren is a character designer based in Charlotte, NC, known for creating ‘Coffeedraws’, being a co-host of MerMay on Instagram and for her comical cartoons of animals and people.

Lauren Barger, Character Designer & Illustrator

Lauren attended Herron School of Art and Design, where she pursued a BFA with a focus on illustration.

In 2019, she opened her company, LB Fine Art, producing mainly portrait artwork on commission both traditionally, using watercolors and colored pencils, and digitally.

She has gone on to work in visual development and character design with notable companies in the animation and toy industries, including SonyDisney, Pixelle Studioand Mattel.

Lauren is also a co-host and partner of MerMay, a social media drawing contest founded by Disney animation veteran, Tom Bancroft.

I am passionate about visual development and character design and love making my audience laugh and smile through my artwork!

Lauren is known for her engaging illustration projects, such as the ‘Animal Butt’ watercolor series, ‘Coffeedraws’ series, and ‘Pets to People’ series.

‘Coffeedraws’ is an interactive social media series that ran for 200 consecutive days, generating a strong following on Instagram. This series has been a highlight of Lauren’s artistic journey and a delightful way to interact with her followers.

I create fun art, or “F-ART” as I call it. I am a F-ART maker!

Master basic anatomy for drawing dogs and cats! 🐕  Discover more in Drawing Pets from Scratch class.

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Rapidly increase your Procreate skills

Learn how to create art from scratch

Master layer management, blending modes, and the use of brushes

Transform your beginner artwork into stunning digital paintings you’ll be proud to share.

Watch these In-Depth Classes and Level up!

Procreate
Animation
Environment Design
Drawing Basics

About the membership

This membership gives you 11 Procreate courses and 40 other art courses.

Whether you’re new or experienced, we have classes for ALL SKILL LEVELS!

Our teachers will show you how to use brushes 🖌️, then teach you shading and lighting to make your drawings pop!

By the end, you’ll feel confident drawing on your iPad, and you’ll get a certificate to prove it!

monthly updates
New Classes
You’ll also get new classes added automatically every month without having to pay extra! 🤩
community
210k+ members
Access a community of peers & teaching assistants to get feedback & be inspired by what others share.
live events
Live Events
Learn in real-time from your favourite artists.

What you'll learn

Digital Workspace Setup & Navigation

  • Set up your digital workspace with Erika Wiseman 🖌️
  • Navigate & utilize Procreate’s main tools & features with Isabelle Staub 🌟

Artistic Techniques & Styles

  • Select brushes that complement your style and drawings 🖌️
  • Hone your drawing technique and stroke pressure control ✍️
  • Explore concepts of light and shading with Aveline Stokart 💡

Workflow Efficiency & Productivity

  • Discover time-saving shortcuts for efficient workflow 🕒
  • Uncover hidden tips and tricks for maximizing productivity 💡
  • Learn to create captivating time-lapse videos of your artwork 🎥

File Management & Sharing

  • Master file importing and exporting processes 📤
  • And most importantly giving you the confidence to share your art! 💪

Progress Tracking & Assignments

  • Each video lecture comes with easy-to-follow assignments that you can use to track your progress 📚

Get ready for an exciting adventure and discover how amazing you can be as a digital artist! Start now! 🚀

Are you ready to go from zero to hero? 💥

Sign up for ONLY USD $59/year!
Hurry limited time only!

You get more than just online classes…

Get Professional Feedback

Get detailed feedback from a real teacher when you’re struggling with your assignments or artwork.

Get Praise

Share your art (if you want that 😉) or completed assignments and get praise from our teachers!

Talk with Classmates

Join our awesome Discord community where you can interact, ask questions and learn from each other.

Practice with Assignments

Most lessons have suggested assignments and examples to help you practice.

Live Events

Learn in real-time from your favourite artists.

Recent Student Work

Our students made all the illustrations you see here. And you can do it too!
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Catie Ilic
Alisa
Jay Thatcher
Nida Özer
@saramakdessi
Cornelia Paulsson
Laura Davies
Prapti Bhetawal
Oksana Shvedenko
Louise Broesky
Viktoriya Storozhuk
Berna Pekustun
Simone
Nesreen Alturkistani
Gautham R
Marjolijn De
Jason K.
Gabriella Antonicelli
Sophie Mattocks
Perrine I
Melissa
Marjolijn De
Kristina Veraldi
Frank Griffen

See how our teachers are helping students...

Student question
Q8
Quinn 88

I recently completed the course and I'm really happy with it. Helped me improve on my time and Layer management easily. would love to get some feedback to see in what parts I could improve o... Show moren.

Quek Jae Sern (Jae)
Certified 21 Draw teaching assistant

Hello Quinn,

Congratulations on finishing the course! I’m happy that it helped you out.

Your submission is absolutely stunning! I can see that you’ve put a lot of work into it and we can appreciate all the intricate details you’ve included in the design of your character.

Overall, I think you’ve executed on all the teachings of the course well and you’re definitely ready for a more advanced course. With that said, here is some more advanced feedback that would be outside the scope of this course:

Perspective of Leaves

  • It’s subtle, but I noticed that the leaf surfaces are mostly angled towards the viewer giving a very flat look. I’d encourage you to imagine the leaves being stuck on a surface of a sphere and draw them radiating outward from the center (the shoulder joint). You can check the attached image to see what I mean.

Neck & Collarbone

  • I saw that you included a V-shaped line to denote your character’s collarbone. I realize that this is a stylized piece and that there is an urge to keep things simplified. However, I think your implementation makes it look like there is an additional layer of clothing. Look up references to see how to best simplify the neck/collarbone area.

With that said, I think you did an amazing job. I hope this was helpful and all the best with your future illustrations!

Student question
MB
Morgan B

Thanks for the course, I learned a lot! Attached is my mood board and the final piece. For this course I decided to draw a dark elf character I’ve been coming up with. I had a lot of fun m... Show moreaking this but would appreciate any feedback on how to make it better :)

Quek Jae Sern (Jae)
Certified 21 Draw teaching assistant

Hi Morgan!

Thanks for your submission and sorry for the delayed response. I’m happy to hear that you got a lot out of the course. First of all, I think you utilized the references and the moodboard wonderfully. Your final designs of your character as well as the environment are cohesive as a result. The colors you used also go a long way in conveying the mysterious and magical feeling of your illustration.

With that said, let me point out some areas with room for improvement.

Symmetry

  • I noticed that some of the facial features and the torso of your character aren’t symmetrical. I recommend the use of guidelines during your drawing phase to help you put elements in the right place and have them be properly aligned.

  • While you’re drawing, you should also flip your canvas horizontally from time to time as it helps you spot errors more easily. Once you’ve identified something that’s asymmetrical or warped in an undesirable way, you can redraw that section or use the liquify tool to correct it.

Armor

  • The design of the armor looks great. I like its curved edges and the ornate etchings. Where I think there is room to improve is in the rendering of the material – in this case, metal. Metal can be tricky to paint. It is a reflective material, so make sure you keep it high contrast. Highlights should be bright and shadows should be dark.

  • In addition to that, try to avoid soft edges as they can make the armor appear “mushy”. Use hard and distinct edges especially where there is overlap between two or more layers of metal.

Overall, I think you did an excellent job. I forgot to point out that you also did great for the background. I hope this feedback helps and good luck for your future illustrations!

Student question
YM
Yazmary Melendez

I'm very new to procreate, and I like drawing cute frogs. It was fun to learn so many features in procreate, I look forward to drawing more things in procreate and incorporate more of the th... Show moreings included in the course. I can definitely see an improvement in how I color and the layering really helped.

Quek Jae Sern (Jae)
Certified 21 Draw teaching assistant

Hello Yazmary,

I’m glad that you’re learning a lot from the course about using Procreate. Procreate has such powerful tools that many of us can benefit from if only we knew how to use them!

And what a lovely illustration this is. It’s giving such cozy vibes and I also really like the complementary color palette you used for this.

Best of luck with your future drawings and keep drawing!

Student question
GA
Gabriella Antonicelli

Fantastic course! I tried to follow Simone's directions in my illustration, from blocking in to choosing brushes to handling shadows and lighting. I would be enormously pleased if I could ge... Show moret some feedback so that I can improve my next illustrations. Thank you very much Gabriella

Jade Lefevre
Certified 21 Draw teaching assistant

Hi Gabriella!

Apologies for the delay in getting back to you!

We're delighted to know you enjoyed the course and found it useful! You did an amazing job on this illustration. I'm a huge fan of the style and your composition skills are impeccable!

Following, you can find a couple of suggestions you can look into for your next illustration, as well as an example attached to this message:

  • You can decide to have a more contrasted, darker shading in some areas of the drawing in order to help the viewer make out some of the shapes better. For example, under the yellow excavator.
  • By deciding the location of the light source, you can make sure to have a consistent direction for your shadows. In my example, I have it set in the middle.
  • The same way, some edges could use an even brighter highlight in order to help the shapes really stand out from the background.

You can find more explanations in the attached pictures. Don't hesitate to ask if you have any question!

Keep up the good work and have a great day!

Student question
AC
Andrew Carlyon

I’m following along on this course, but I feel like I’m “stuck” and I’m not sure what to do to improve. I feel like my painting is very flat and I’m struggling with colors. Also,... Show more it seems very “blocky’, and I’m struggling to get a fluid, painterly look. Can anyone provide me some guidance? Unfinished painting attached>

Jade Lefevre
Certified 21 Draw teaching assistant

Hi Andrew!

Thank you very much for sharing your painting with us! The proportions of your portraits are on point and I can tell you've applied all of the teacher's advice very well! Here are a few suggestions to help you with your problem:

  • You can start by having these little dark areas (such as the inside of the mouth, the corners of it, the eyes and eyelids and the nostrils) be darker and stand out more, with a thicker brush.
  • You can also add some more bright and saturated colors to your color blocks. In this case, shades of orange and red! It helps bring life to your undertones!
  • Don't hesitate to either lay your color blocks with a more blurry brush, or to blend them slightly afterwards. One shouldn't make the mistake to over-blend, but a little does help a lot in making the whole thing come together. It's the variation of textures between blended and non-blended which makes the surface interesting to look at.

You can refer to the attached images for reference! Have a great day and don't hesitate to ask if you have any questions!

Student question
A
Alisa

Hello, I finished the Aveline’s course and would like to get some feedback how I can improve my illustrations.. I am not completely satisfied with my work so hope your feedback can help.. ... Show moreThank you.

Rhea Tibbey
Certified 21 Draw teaching assistant

Hey Alisa! I love your work, you have done an amazing job of following along with Aveline's assignments :)

To keep your feedback simple, I have chosen to refer to your night-time lighting scenario. Check out the tips and images I have attached below, I hope they help :)

  • When you are illustrating an environment a good practice for adding depth is to ensure your foreground uses more saturated colors than your background. Currently they are at a similar level of saturation, this is something you can adjust using your ‘Hue, Saturation and Brightness’ tool.
  • Around the edge of your highlights and shadows you may have a soft line that is a more saturated color.
  • Folds on clothing usually follow a triangular draping pattern down from where they hang from the body. In this case her sweatshirt would mostly be draping from her shoulders. When in doubt with drawing folds in an outfit, a reference picture can make things much easier!
  • If you have warmer tones in your foreground, make the color pop even more by using an ‘Overlay Layer’ to add cooler colors to the background.

I have attached some images with tips and edits to help guide you through this process. Let me know if you have any questions :)

Student question
BP
Berna Pekustun

Do much focus on the eyes and not enough focus a the rest of the art. Still the face is not quite right ( used a reference feature) but really learned a lot from class.

Quek Jae Sern (Jae)
Certified 21 Draw teaching assistant

Hello Berna,

Thanks for submitting this wonderful painting. I think the loose painting style works great and the extra detail around the face compared to the rest of the body does a good job at focusing the viewer’s attention.

I do notice that the dog’s face seems a little off. Sometimes it can be hard to tell which part of the painting needs to be worked on. Two tools I can suggest for checking your painting/drawing are:

  • Guidelines down the center of the face

You can place a guideline on a separate layer to make sure the facial features you draw are symmetrical.

  • Flipping canvas horizontally

Procreate allows you to flip the canvas horizontally. By occasionally flipping the canvas, it allows you to “reset” your perception of your painting, and it will be easier to spot your errors while painting or drawing. Try it out on this one and it should be easy to see where and what needs fixing!

I know that for painterly styles like this, it can be hard to make changes without essentially re-painting a section again. Procreate has a built-in Liquify tool that is perfect for situations like this. You can use the liquify brush to push or nudge your painting around until it is correct.

I hope this helps and I’m glad that you learned a lot from this class. Good luck with your future art pieces!

Student question
Nida Özer

Hello Aveline, I congratulate you on your art and I follow your art with enthusiasm. I would also like to thank you for meeting us on such a occasion. I am adding my works and waiting for yo... Show moreur comment :)

JP
Jessica Paton
Certified 21 Draw teaching assistant

Hi Nida!

Wow, you did such a great job of applying the techniques from this course! I love that you've put your own characters into the scenes as well! I only have a few small notes for you.

For the Night Scene:

  • Increase the glow in the night scene! Use a soft brush to lighten that part of the scene (I used a light yellow with a soft-light layer setting)

  • Add more highlights/rim lighting on the night scene as well. Make sure you have lots of contrast and really make the most of the fun lighting!

For the Day Scene:

  • Because you have made most of the background quite light, try and keep that somewhat consistent. Keep the background light, and the foreground more dark. Keeping this contrast makes it easier to see the characters as seperate from the background and makes it easier to read.

*Add a few extra shadows to reflect the size of the skirt/around the skirt to imply more 3D form

You've done such a fantastic job with these, and they're honestly great the way they are! Well done!

Student question
Lana Grushnik

I absolutely loved this course! Very inspiring and simple :) Turned out that I'm really good at drawing dogs. Cats are harder to draw for some reason:)

JP
Jessica Paton
Certified 21 Draw teaching assistant

Hi Lana!

This is such a cute drawing! It's very lively and there is a great personality coming from them!

When drawing cats focus very much on the flow - lots of round fluid movements. The line of action will be very important for their poses.

For this particular drawing I just have a couple suggestions!

  • Push the snout slightly further forward. This will help make the head feel a little more round and improve the sense of dimension. Think of the base of the head not as a circle, but as a sphere!

  • When drawing complicated shapes like limbs, especially when they're folded up, think about how each segment is a basic shape. Using the right amount of lines, you can force a sense of perspective by overlaying some with others. In this case, you can add a couple extra lines to make the back leg seem more like it is bent away from the "camera".

  • Use the tail to emphasize the sense of movement! Follow the line of action you already have moving through the pose! Treat it as an extention of this. But also try to consider where the dog was in space before - the tail can have a very lovely flow to it if it is shaped as though it is coming from where the dog was just a moment ago. You were very close to this I think, but lowering it slightly makes it feel less like the dog has dropped down very suddenly.

It's great to hear that you loved the course! I hope you continue to draw more fun animals in the future!

Student question
DK
DIM K

Hi recently I finished this drawing and I would like to get some feedback to improve my illustration.

Jade Lefevre
Certified 21 Draw teaching assistant

Hi!

Thank you for sending in your painting! This is incredible work. The subject is beautiful and your use of color is mind-blowing!

You could maybe try to have the hair on the chin flow in more various and natural directions. Even with the head clearly in motion within the scene and the hair following in the same direction, I think there could be a little more variation.

You can check out the attachments for a more visual explanation!  I hope you’ll find them helpful!  Don’t hesitate to ask if you have any more questions and I wish you a beautiful day!

Student question
MD
Marjolijn De

I really enjoyed creating the thumbnails and the final piece. I love to keep my rough sketch slightly visible and I like to add some more texture to my designs. But I loved the gloaming brus... Show moreh and I’m going to use it more often:) Thank you very much for this fantastic class!

Jade Lefevre
Certified 21 Draw teaching assistant

Hi Marjolijn!

I'm glad to hear you enjoyed the course! I'm a huge fan of the way you used the brushes and the colors! Your characters have a lot of personality and I think your final drawing looks really professional.

Keep up the great work and have a fantastic day!

Student question
SM
Sara Makdessi

Hi Aveline, thank you so much for this fun and super informative course. I really enjoyed your lessons! Here are my interpretations of the four light scenarios with my characters. Any feedb... Show moreack would be very appreciated. Many thanks, Sara

Rhea Tibbey
Certified 21 Draw teaching assistant

Hey Makdessi! These illustrations look amazing! You have done a great job of using the lighting and shading techniques from this course :)

Here are a few feedback suggestions that you could try in future illustrations/ to improve these:

  • In areas of your character that are highlighted, change the colour of your line-art to a colour brighter than the highlighted area.
  • Additionally, it can look nice if you set your line-art to a darkened version of an ambient colour in your image rather than black.
  • Add soft shadows to objects that aren't in direct light.
  • For your night-time scene, you could decrease the saturation of the background and perhaps add even more blur to make your character stand out even more.

Try these out and see what you think! Wishing you a creative week, Rhea

Student question
LB
Louise Broesky

I have never used Procreate before so I did the first lessons on paper working my way through the other ones I’m not used to drawing with circles and lines of actions. I pick a body part ... Show moreand then I draw from there that’s what I’m used to so I didn’t use the circles the way I was supposed to

JP
Jessica Paton
Certified 21 Draw teaching assistant

Hi Louise!

This is such a great drawing so far!

I do recommend trying to start a drawing with the basic shapes before you get too far into detail to make sure that the drawing has a solid foundation.

  • Break things into spheres and cylinders. Spheres for the head and joints, and cylinders for the limbs and snout. Using these as a guide and it will help add dimension

  • Another thing that will add dimension is layering one shape of the other. Having a shape hidden behind another will instantly add a sense of 3D.

  • Think about their skeleton! Look at where their bones bend. This is the natural basic building of an animal. You don't have to draw every bone, but you can break it into areas - The ribcage as one oval, the pelvis as another. The forearm bone as a cylinder, the joints as spheres. It helps a lot to understand how a creature can move and bend, and how they can't.

You're well on the right track and each drawing you have done is very expressive and has lovely poses, good job!

Student question
Polina Lutseva

Hello!! I love the course and tried to do all types of lighting by myself, it would be really great to hear feedback, comments and critics about my work. Thank you very much in advance!! Pa... Show moreuline

Rhea Tibbey
Certified 21 Draw teaching assistant

Hello Polina! I love your drawings, they are so gorgeous! Thanks for sharing them :)

Check out my feedback below and notes I have added to your drawing! I hope you find them helpful :)

  • Don’t be afraid to use ‘Overlay’ blending layers with vivid colors to help establish the time of day, especially for the sunset and daytime photos.
  • In the indoor scene: the walls and the character should be in soft shadow due to the backlighting from the window.
  • Your character has a few spots on their face that might have highlights including their: eyes, nose, lips and cheekbones.
  • Your overcast lighting scenario could be de-saturated to convey the gray-diffused light source. This is something you can adjust using the ‘Hue, Saturation and Brightness’ tool.
  • Even on an overcast day you will still have some soft shadows where clothes fold or different objects meet each other.
  • You can try and make the direction of your light source more clear by adding color variation to your sky using an overlay or multiply layer.
  • When in doubt, practice by studying photographs! This can be a great way to learn about illustrating hard shadows.

I have attached some images with tips and edits to help guide you through this process. Let me know if you have any questions :)

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Class 1
Procreate for Beginners
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Beginner
Class 2
Procreate Made Easy
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Beginner
Class 3
Color Theory
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Beginner
Class 4
Draw Cartoon Character
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Beginner
Class 5
Digital Coloring
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Beginner
Class 6
Drawing Pets
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Intermediate
Class 7
Draw Female Character
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Beginner
Class 8
Lighting + Shading
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Intermediate
Class 9
Lighting + Shading
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Intermediate
Class 10
Digital Illustration
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Intermediate
Class 11
Painting Portraits
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Intermediate

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4.8
(based on 8,265 customer reviews)
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Cordelia C.
4 weeks ago
Verified Purchase
Rodgon is a phenomal teacher. This is my second course of theirs I've taken, and Rodgon's ability to break down anatomy in such a fun, clear and memorable way is incredible. I've taken many anatomy courses and will be reccommending thi
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s one!I feel liike my anatomy in my art is so much better and clearer than before the course. Take this course!
Review of "Learn Anatomy in 21 Days" course
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Steven D.
4 weeks ago
Verified Purchase
I can't recommend this course highly enough. Rodgon takes a very thorough approach to figure construction that actually explains the subtle details that a lot of instructors tend to gloss over. His method is useful on its own, but it will also h
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elp you learn other methods and ultimately adopt your own approach that makes sense for you. Absolute beginners will find this course most helpful because it will give them some baseline techniques as they go on to learn from other artists, but more advanced artists will also benefit from thinking about their existing approaches in a new light. Thanks so much for offering this course on 21 Draw!
Review of "Learn Anatomy in 21 Days" course
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Ophélie P.
4 weeks ago
Verified Purchase
That was my first lesson on drawing ever and this was so fun to follow! I never thought I would be able to draw any of those before and I’m so proud of myself! The teacher was great and was explaining very well. The step by step was really nice and,
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in my opinion, it’s really helpful because I never felt discouraged and I always knew what to work on in order to improve. Thank you!!
Review of "Learn to draw in 21 days (Season 1)" course
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Nataly E.
4 weeks ago
Verified Purchase
This is an absolutely exceptional and brilliant course that I wholeheartedly recommend to anyone eager to explore the intricacies of anatomy. My journey from beginning to end has been truly remarkable. Without a doubt, this is the finest anatomy cour
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se I’ve ever encountered. It’s delivered in a wonderfully simple and accessible manner. I greatly appreciated the author’s unique approach and the elegance of its simplicity.
Review of "Learn Anatomy in 21 Days" course
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Alina S.
3 weeks ago
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I really appreciated the structure, the balance between explaination and visualization and the painting-time whereas Aveline analized her workflow openly. It was easy to understand and to follow. Thanks to her engaging and outgoing way of teaching, i
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t was very fun to take part. The whole course felt professional and helpful to me. Thanks a lot and have fun being creative and gaining more knowledge! ;D
Review of "Mastering Lighting and Shading" course
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Vivee 0.
2 weeks ago
Verified Purchase
I'm very grateful for this course — no one could show me what I want to learn better than you. However, using layers, masking, etc., still seems a bit complicated to me. I'm having a hard time understanding what to use, when, how, and why.
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Also, I accidentally noticed that with one of the layers, you said you'd set it to Hard Light, but you actually ended up setting it to Add. :/ In any case, I'm excited to continue with the rest of the lessons — you've already shown so many useful tips, and I'm especially thankful for that! :)
Review of "Mastering Lighting and Shading" course
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Nicole C.
2 months ago
Verified Purchase
I loved how this course broke down lighting into very easy to follow steps and was geared towards Procreate. I learned so many quick tips and tricks for the app even outside of lighting that I never knew about, like masking layers, and using the sele
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ction tool to clear/delete parts of a layer using the silhouette of another shape. This was pivotal for my art, thank you for such an amazing course! I tagged you on instagram :)
Review of "Mastering Lighting and Shading" course
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Lana W.
2 months ago
Verified Purchase
AMAZING!!!! I had so much fun and felt joy and loved every single lesson. Mark is such a wonderful teacher and human being, so creative and makes you believe you can di it too, with some art blocks I have had to illustrate my own children's book
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it has been a challenge and this course unblocked my fear, worries and inspired me to create again, thank you I am so grateful and would do another one Mark!!
Review of "Learn to draw in 21 days (Season 1)" course
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Falon P.
2 months ago
Verified Purchase
I adore Simone's work, it's always so bright and uplifting. Thoroughly enjoyed getting to see her process and hear her talking it through. She explains things clearly and goes into details behind why she makes the decisions she does or uses
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the tools she's using, in addition to how she's using them. I think hearing her thought processes behind her decisions is super helpful.
Review of "Digital Illustration with Procreate" course
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Ani S.
3 months ago
Verified Purchase
Good for beginners in digital illustration (Procreate), this course will guide Isabelle explains the basics, shows how to use tools in Procreate, and helps you create your first digital artwork I’ve been drawing in Procreate for a long time, but ev
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en for me, this course was interesting and helpful. It’s a great way to refresh the basics and learn some new tips to improve your skills
Review of "Procreate Made Easy" course
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Joel M.
3 months ago
Verified Purchase
This is a super helpful class. Isabelle does a great job showing how to use Procreate and to customize its tools to your liking. After completing the course I feel more confident in my ability to use this software to really get my digital art dreams
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going.
Review of "Procreate Made Easy" course
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Ann
1 month ago
Verified Purchase
I’m a hobbyist and am trying to understand how to get my characters to be more expressive. This was kind of the perfect class for that. The instructor put together some great examples (I took a lot of screenshots) - that illustrate the points he’s
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making. Everything really went step by step and was easy to follow. I wouldn’t recommend this for ABSOLUTE beginners. You need to know how to draw something that looks like what you intended it to be. Highly Recommend this class.
Review of "Drawing Character Poses with Personality" course
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Lidia C.
2 months ago
Verified Purchase
I liked Erika's course; it was very easy to follow. It is not a follow-what-I-do concept, but learning and applying it to your work was very nice. I took notes on where to jump if I needed to re-check steps I'd forgotten. Thank you for the
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videos :) I love all the courses I've done so far. I can't wait to learn more. Best subscription EVER!
Review of "Digital Drawing in Procreate for Beginners" course
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Lidia C.
2 months ago
Verified Purchase
I think this course complements Erika's course (I know she has 2 courses on photoshop, wish also on Procreate) I highly advise taking this course after doing Erika's, Isabelle glides through a lot of things that are explained in detail in t
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he other course and does a few things differently which is great, because I now have different ways of accessing certain features. I mostly enjoyed creating my own brushes and greatly appreciated the "tips, tricks and common mistakes" lesson... GUILTY as charged. You could name this course "Beginners Part 2". I love this subscription more and more each day <3
Review of "Procreate Made Easy" course
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Ondřej P.
2 months ago
Verified Purchase
I was expecting a little more information for each lesson, but I still noticed something. For the pets that I draw in space, perspective should probably be discussed a little there. Because that's probably the hardest thing that will be needed t
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o establish the basic outlines of the pet in space.
Review of "Drawing Pets from Scratch" course
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Rômulo T.
2 months ago
Verified Purchase
OMG this is 1 hour of pure GOLD! I feel like teacher is giving away some secrets on this course, lol, because I just learned a LOT of amazing techniques and tricks that I have always wondered "but how do they do that?" when looking at multi
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ple amazing artist's work. I also like Procreate, even that my software of choice is CSP, I could learn a bunch of useful tricks on procreate. and I believe I can easily make all the techniques in CSP as well. Also, teacher explains so well, and the art is so beautiful. I really liked this course.
Review of "How to Draw a Cartoon Character" course

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Membership includes unlimited access to all 50+ courses taught by the world’s best artists PLUS new courses as they are released.

Each class includes 10-20 video lessons that are 7 minutes long on average. Most classes include exercise sheets, assignments, and layered PSD or PNG files.

Some classes include the ability to chat with the instructor in a public forum, e.g. if you want feedback on your artwork.

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Since 2013 in numbers:
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We started 21 Draw in Sweden in 2013 with the goal of helping everyone become a better artist!

We’re called 21 Draw because when we started we only had a budget to hire 21 artists. However, a huge number of the artists were so enthusiastic about getting involved, so we couldn’t resist adding more, and creating even more products, everything from books to online courses.

Our goal is to work alongside the world’s best artists to help our community and you reach your artistic goals. We want to make amazing art education affordable for everyone.

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